Linear Phase Eq Vst Free Download

Posted By admin On 19.04.20
Linear Phase Eq Vst Free Download Average ratng: 6,7/10 9746 votes

Lpgeq 2.1 was developed by Slim Slow Slider for VST windows. Slim Slow Slider coded this beauty and he is offering it as donationware. ApulSoft ported this plugin to OSX and to the AU format. QRange – Free Linear-Phase EQ Plugin. Kjb has released QRange, a freeware IIR linear-phase equalizer available in VST & VST3 plugin format for both PC and Mac. So this is a 12-band linear-phase Equalizer great for different mastering quests. With a resizable user interface and the real-time spectrum analyzer, this plugin is very easy to use.

Linear Phase Eq Vst

Linear Phase EQ

I’ve been doing a lot of study about linear-phase versus minimum-phase equalization. I wanted to really understand the differences and possible advantages/disadvantages one may have over the other in particular situations. I found that I was not alone in my search. However, there is very little actual documentation on linear-phase filters and how a linear-phase relationship is structured or relates to audio processing.

There are some very basic questions that should be answered that almost seem hidden from any product descriptions or message boards.

  • “What is the reason for linear-phase EQ?
  • “What is linear phase, and how does it relate to a minimum-phase EQ?
  • “Why are linear-phase EQs so directed toward mastering?”
  • “Can there be a hardware linear-phase EQ? Why or why not?”

One of the most popular searches relating to linear-phase EQ on Google is “linear-phase explained,” which still holds very poor results. After the search, I was still grasping at straws. I said “to hell with it,” and held my own experimentation.

I created a new Pro Tools session with an oscillator at 1 kHz and line level running separately through a minimum-phase EQ plug-in and a linear-phase EQ plug-in. I recorded the results and was astounded by the differences when I boosted or cut frequencies at any bandwidth or frequency.

The linear-phase equalizers and minimum-phase equalizers will produce different results despite the same sound source every time. Here’s what I found:

Jul 27, 2011  Turnaround Sunday afternoon tunes Thread Starter Location: USA. If you can auto-tune anything, including talking news anchors, is it possible to de-auto-tune a track. Voice changer.

Analog EQ

With any analog equalizer, the bands being boosted or cut are subject to phase-shifts due to the latency created by the change in amplitude within that band in relation to unaffected bands. This is unavoidable, but manufacturers try to reduce the amount of phase-shift as much as possible (unless it produces a pleasing or characteristic sound), thereby calling these sets of equalizers ‘minimum-phase.’

Digital EQ

Most digital equalizers have algorithms that are modeled after minimum-phase equalizers, due to their prominence in the analog world, their lack of plug-in latency issues, and in the big market for analog replication. These algorithms are digital, so obviously different from the get-go, but are meant to mirror the process of the analog latency and wide bands, and then its subsequent recovery, thus keeping with the minimum-phase concept.

Linear Phase EQ

The way that the equalizer algorithms are configured are completely different for linear-phase equalizers.

Linear-phase is exactly how it’s described: linear. For the varying wavelengths of varying frequencies, linear-phase equalizers adjust phase accurately to the degree of zero phase-shift. This can only be achieved digitally with such accuracy. This non-existent phase shift, leaves the actual amplitude of the waveform almost unchanged in many instances where a minimum-phase equalizer may cause drastic amplitude changes (depending upon the degree of phase shift).

This outcome allows linear-phase equalizers to affect the harmonic character without much change in overall level, making them ideal for mastering practices (which is why they tend to be marketed toward mastering engineers).

Here is a video I made comparing linear phase EQ to minimum phase EQ:

Free Video on Mixing Low End

Download a FREE 40-minute tutorial from Matthew Weiss on mixing low end.

Blue Cat's Liny EQ is an 8 bands linear phase equalizer with very low latency and comprehensive visual feedback: thanks to its highly optimized linear phase kernel, it processes the signal without phase distortion, with an unusually short latency (less than 3 milliseconds).

Price: 99 EUR or $99 (tax incl.)
Also in Bundles: All Plugins Pack / Master Pack

Typical applications: Low latency linear phase equalization, mastering, mixing, spectral correction, stereo widening or narrowing.

Detailed Description

Liny EQ's wide range of gain (+-40dB) and multiple filter shapes make it very flexible for a graphic EQ, letting you create unique EQ curves. The dual channels version offers independent settings for the left/right or mid/side channels, with flexible linking capabilities for an optimal workflow.

Free Dynamic Eq Vst

The highly customizable user interface includes a first class spectrum analyzer and spectrogram viewer. It lets you choose the best layout and display options to adapt the plug-in to your own workflow.

Thanks to its ability to update the EQ curve continuously using MIDI or automation and its additionnal 'Mix' control, dynamic equalization tasks can be performed easily when used together with any of our control generation plug-ins.

Features

Main Features:

  • Linear phase graphic equalizer
  • very short latency (less than 3 ms: 128 samples at 44,1 kHz), with minimal pre-ringing artefacts.
  • customizable range (+/- 40 dB).
  • Exact EQ curve display.
  • Four EQ shapes.
  • Automatic gain compensation.
  • Real time spectrum analyzer display.
  • High resolution color and greyscale spectrogram display.
  • High resolution color peak meter.
  • Single and dual channel versions.
  • Left/right or mid/side processing for spectral stereo widening or narrowing.
  • Advanced channels linking capabilities.
  • Multiple display sizes.
  • Highly customizable user interface: display what you need, the way you need.

Blue Cat Audio Standards:

  • Available in most plug-in formats for Mac and Windows.
  • Full MIDI control and automation support, MIDI Learn.
  • No CPU load on idle: processing shuts down when fed with silence (optimal the CPU usage).
  • Customizable user interface with transparency .
  • Smooth Bypass: noiseless plug-in activation / deactivation.
  • Undo/Redo.
  • Full featured integrated presets manager.
  • Copy/paste the state of the plug-in between instances.
  • Any sample rate supported.

Best Eq Vst Free

Videos

Screenshots

User Comments & Reviews

To add your own comment about this product, please contact us.

System Requirements

Windows

  • An SSE2-enabled processor (Pentium 4 or newer).
  • Microsoft Windows Vista, Windows 7, 8 or 10.
  • Any DirectX / VST / RTAS / AAX compatible host software (32 or 64 bit).

Mac OS X

  • An Intel processor.
  • Mac OS 10.5 or newer.
  • Any VST / Audio Unit (32/64-bit) / RTAS / AAX compatible application.

For more information about supported platforms, see our FAQ.

Demo Limitations

  • One single instance of the plug-in per session.
  • The plug-in is regularly bypassed for a few seconds.

Versions History >subscribe to our newsletter

V5.1 (2016/03/03)

  • VST3 plug-in format support.
  • Custom skins can be selected directly from the main menu.
  • Presets can now be selected using MIDI Program change and bank select messages (optional).
  • Last loaded preset can now be saved directly from the presets menu without having to select the file.

V5.02 (2014/01/09)

New Features:
  • Audio Suite support for offline processing in Pro Tools (AAX).
  • Copy/paste the plug-in's current state from the presets menu using the system clipboard.
Improvements:
  • Reduced the plug-in's memory usage.
  • Windows VST Installer now remembers where the plug-in was initially installed to simplify upgrades.
  • (Mac) plug-in version number is now available when using 'Get Info' in the Finder.
  • (Mac) Improved display of Audio Unit parameters in most host applications.
Bug Fixes:
  • Fixed window frame not showing with Cubase 7.5 (32-bit) on Mac.
  • (Mac) About window does not show up first in the corner of the screen anymore.
  • (Win) Alt-Click on a control now resets the value to default in Pro Tools, as expected.
  • Fixed version number reported to host application for VST and Audio Unit versions.

V5.01 (2013/06/21)

  • 64-bit AAX support for Pro Tools 11.

V5.0 (2013/05/23)

New Features:
  • Brand new, fully customizable user interface:
    • New look and feel.
    • Show/hide what you need.
    • New EQ curve display.
    • New instant spectrum curves display.
    • New color or greyscale overlayed spectrogram view.
    • New output peak levels meters.
    • Multiple display sizes.
    • Improved readability.
    • Animated transitions.
  • New 'mix' parameter for instant dry/wet control or side chain dynamic equalization.
  • New interpolation mode for up to four different EQ shapes.
  • Now includes both single and dual channels versions and superseds the three plug-ins previously included in the Blue Cat's Liny EQ Pack bundle.
  • Spectrum and spectrogram displays can be frozen to capture spectral snapshots
  • New integrated presets manager:
    • Load/save presets from the plug-in's user interface.
    • Organize presets with folders.
    • Customize the default preset.
    • Exchange presets easily.
  • Automation range and response curve can now be customized for each parameter (in and out).
  • Automation and MIDI settings (channel, MIDI learn etc.) are now accessible from the main user interface.
  • AAX plug-in format is now also supported on Windows (Pro Tools 10.2 required).
Improvements:
  • Different EQ shapes can now be selected for each channel.
  • New presets to get started faster.
  • The windows installer now automatically detects the most appropriate VST install path.
  • License is now shared between plug-ins types (register only once for all formats).
  • Improved value display in fine edit window.
  • Improved parameters display on control surfaces.
Optimizations and Performance Improvements:
  • Improved parameters precision (now stored as 64-bit).
  • More compact presets format (uses less space and loads faster).
  • Smaller binaries on Mac (dropped PowerPC support).
Bug Fixes:
  • (RTAS) Fixed parameters control with EUCON control surfaces in Pro Tools.
  • Fixed user interface issues in Final Cut Pro X.
  • Fixed user interface display issues in Wavelab on Mac.
  • Fixed keyboard stealing issue in Digital Performer 7 on Mac.
  • Fixed copy/paste keyboard shortcut issues in the registration panel on Mac.
Note: this new version can be installed side by side with the previous version for backward compatibility reasons. Installing this new version won't break your previous projects.

V4.11 (2011/02/10)

  • Fixed keyboard focus stealing issue in Pro Tools and several other host applications.
  • 64-bit Mac VST support.

V4.1 (2010/05/04)

  • RTAS plugin format support for Pro Tools (Mac and Windows).
  • 64-bit applications support for Windows DX and VST under Windows x64.
  • Mac AU 64-bit format support (compatible with 64-bit Logic 9.1 on Snow Leopard)
  • Space bar does not trigger plug-in buttons anymore (avoids conflict with transport control in most applications).
  • Demo version now displays a nag screen only once per session, and only when opening the user interface of the plug-in.
  • Fixed MIDI learn issues.
  • Fixed issue with EQ curve type that was sometimes not properly recalled.
  • Mac: fixed user interface crashes in some hosts under Snow Leopard.
  • Mac: fixed keyboard/mouse focus issues in some hosts.
  • Mac: fixed multiple screens issue.
  • Mac-AU: fixed settings lost issue when doing offline rendering in some applications.

V4.01 (2009/05/05)

Mac VST update: fixed incompatibility issues with Cubase 5 on Mac.

V4.0 (2009/03/09)

  • Mac Audio Unit support.
  • Mac VST Support.
  • New user interface design.
  • The plugin now offers two types of EQ curves.
  • EQ range is now customizable.
  • Undo/Redo support.
  • Preset import/export in a host independent format.
  • Window opacity control for plugin transparency.
  • New Windows installer.
  • New documentation.
  • This version is installed as a new plugin because of the new parameters. You can keep the previous version and this one side by side.

V3.0 (2006/11/29)

  • Advanced MIDI control with customizable parameters curve response and MIDI learn.
  • Now supports Blue Cat's Skinnning language 1.2.4 with several skins per session.
  • Parameters can be fine tuned when the shift key is down, which offers a .1 dB gain resolution.
  • CPU efficiency improvement: no processing occurs when input is silent.
  • Settings window now loads faster.
  • (Bug fix): in some plug-in adapters (such as FxPansion's VST to RTAS adapter) the GUI did not display properly when first loaded.
  • (Bug fix): when reinstalling the software in another directory, the 'skin not found' message was displayed.
  • Warning: because it now supports MIDI events, the DirectX plug-in may appear in the 'Synth' or 'DXi' category instead of 'effects' in some hosts (such as Cakewalk Sonar). If it does not appear in you host, you might want to use our DXi Manager to de-activate MIDI features.
  • Warning: this new version breaks the presets compatibility.

V2.0 (2006/06/19)

  • New skinnable user interface, with several skins included.
  • Blue Cat's Skinning Language 1.1 support, for an easy user interface customization.
  • User manual available from the user interface.
  • (Bug fix): no more constant -3dB offset on global gain.
  • (Bug fix): the VST version now reports the latency to the host.

V1.2 (2005/06/17)

Brand new GUI.

V1.1 (2005/05/17)

  • Right clicking on a slider now sets the default value of the parameter
  • (Bug fix): smooth update mechanism did not work properly on very fast variations

V1.0 (2005/04/19)

First release.

You Might Also Like