Learn Scale From MIDI In most cases, you will probably tell Auto-Tune 8 which notes are valid scale notes using the Key and Scale popups, the Edit Scale Display, and/or the Virtual Keyboard. However, there may be occasions when it is not clear exactly what key a melody line is in, or where the melody line has too many accidentals to fit. Auto-Tune is used by engineers, producers, and artists around the world for correcting pitch problems with vocals, as well as for adding creative effects. In this course, author Brian Lee White will explain the basics of getting the best tuning results from Auto-Tune 8.

• Change Keyboard Language
• Auto Tune 8 Change Keyboard Scale 1
• Change Keyboard Settings
• Auto Tune 8 Change Keyboard Scale Online
• Change Keyboard Language Windows 10

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Legendary for its vocal enhancing and creative applications, the Antares Antares Auto-Tune 8.1.8 effect revolutionized vocal production. From subtly tweaking a singer’s intonation to transforming a vocal into varying degrees of robot-speak, Antares Auto-Tune 8.1.8 is a must-have tool for the modern music producer’s toolkit. A UA exclusive, the Antares Antares Auto-Tune 8.1.8 Realtime Advanced plug-in improves the previous UAD version with powerful workflow and sonic enhancements.

An Iconic Effect

Introduced in 1997, Auto-Tune is one of a small handful of effects that’s changed the face of popular music. By continuously detecting the pitch of a periodic input signal — typically a solo voice or instrument — and instantly, seamlessly, changing it to a desired pitch, producers could quickly fix problematic performances, embellish vocal hooks, and create new robotic voices that have come to define pop, hip-hop, and dance tracks for two decades.

Realtime Pitch Correction with MIDI Control

Thanks to its ultra-low latency — and its ability to run on the built-in DSP found in UA audio interfaces like Apollo and Arrow — Auto-Tune Realtime Advanced allows instant tracking in the studio or on stage, giving you realtime pitch-correction that’s easy to use. Simply place Auto-Tune Realtime Advance in the UA Console app, select the song’s key, and you’re on your way to crafting perfectly tuned vocal tracks. Plus, you can control all key performance parameters from any MIDI controller or pre-recorded MIDI track.

Classic Mode

Over the years, Auto-Tune’s algorithms have evolved, yielding subtle changes to the effect’s sound. Back by popular demand, Auto-Tune Realtime Advanced has a new “Classic Mode” that gives you the popular “Auto-Tune 5” algorithm for the hard, glitchy vocal sonics used by Cher and Kanye West on some of their biggest hits.

Humanize Yourself

On the other end of the spectrum, Auto-Tune Realtime Advanced also lets you subtly correct the pitch of vocals and other solo instruments without unnatural distortion or artifacts. With features like Humanize, Flex-Tune, and Natural vibrato control, you can craft the perfect amount of pitch correction while retaining a performer’s expressive, unique intonation and inflections.

Improved Interface

The Antares Auto-Tune Realtime Advanced plug-in features a redesigned control panel for a faster, more efficient workflow. Basic view gets you up and running quickly, with only the most important controls available, while Advance view lets you fine tune with powerful scale editing, vibrato, and MIDI features.

But as well as the tone adjustment, Antares Auto-Tune 8.1.8 has become an essential recording tool due to the rest of its features:

• Fix and manipulate time. Apply even the smallest time adjustments to the voice and tempo of the instruments so that the songs are perfect.
• Evo Voice Processing Technology, which is exclusive to Antares, that allows you to process any small voice detail.
• Reception of the target tone by means of MIDI.
• Show on the screen both the original sound as well as the modified one to be able to observe the differences.
• Multiple keyboard shortcuts to speed up the processes.
• And much more…
• Therefore, if you’re interested in setting up a recording studio, you shouldn’t miss out on the chance to download and test Antares Auto-Tune 8.1.8.

Screenshots from Antares Auto-Tune 8.1.8

How to install:

• First of all, Download the Antares Auto-Tune 8.1.8 (Tutorial on How to Download)
• Locate and double-click the .exe file. (It will usually be in your Downloads folder.)
• A dialog box will appear. Follow the instructions to install the software.
• Activate software using serial number provided in .txt file
• The software will be installed. You can now open the application from the your Desktop

FAQ:

Q:What is inside that .rar file?
A:There is Antares Auto-Tune 8.1.8Dev c++ download for windows 10 license. which you need to extract with Winrar.

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A:The Human Verification is there to protect our links from spammers and bad intoned people, and to make sure that our products will stay online.

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A:Simple, only interested people would download and take some time to complete Human Verification, which act as a filter.

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A:We provide virus scan for every software we post and you can look it up by clicking on image down below.

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What I find most fascinating about Antares Auto-Tune is that everyone and their mother knows what it is, despite the fact that it's just another digital audio plugin used in bedroom and professional studios alike. Even people who have no clue what an EQ or compressor does somehow at least know of the word 'Auto-Tune' and even the general effect it has on the human voice.

But even though Auto-Tune has evolved to become this cultural phenomenon, very few artists or producers truly understand how to get it to sound like the way it sounds on major records.

In case you don't know what it is, Auto-Tune, in a nutshell, is a pitch correction software that allows the user to set the key signature of the song so that the pitch of the incoming signal will be corrected to the closest note in that key (and does so in real time). There are other pitch correction programs out there that do similar functions: Waves Tune, Waves Tune Real-Time, and Melodyne (which is pitch correction, but not in real time), but Auto-Tune seems to have won the standard for real-time pitch correction.

Auto-Tune traditionally is used on vocals, although in some cases can be used on certain instruments. For the sake of this article we will be discussing Auto-Tune and its effect on the human voice. Listen to this early example from the 'King of Auto-Tune,' the one artist who did more to popularize its effect than any other, T-Pain.

Working as a full-time engineer here at Studio 11 in Chicago, we deal with Auto-Tune on a daily basis. Whether it's people requesting that we put it on their voice, something we do naturally to correct pitch, or even for a specific creative effect. It's just a part of our arsenal that we use everyday, so over the years we have really gotten to know the ins and outs of the program—from its benefits to limitations.

So let's delve further into what this software really is and can do, and in the process debunk certain myths around what the public or people who are new to Auto-Tune may think. If you were ever wondering why your Auto-Tune at home doesn't sound like the Auto-Tune you hear from your favorite artists, this is the article for you.

Auto Tune 8 Change Keyboard Scale 1

To set the record straight, as I do get asked this a lot of times from clients and inquiring home producers, there really are no different 'types' of Auto-Tune. Antares makes many different versions of Auto-Tune—Auto-Tune EFX, Auto-Tune Live, and Auto-Tune Pro—that have various options and different interfaces, but any of those can give you the effect you're after. Auto-Tune Pro does have a lot of cool features and updates, but you don't need 'Pro' to sound pro.

I wanted to debunk this first, as some people come to me asking about the 'the Lil Durk Auto-Tune,' or perhaps that classic 'T-Pain Auto-Tune.' That effect is made from the same plugin—the outcome of the sound that you hear depends on how you set the settings within the program and the pitch of the incoming signal.

So if your Auto-Tune at home sounds different from what you hear on the radio, it's because of these factors, not because they have a magic version of Auto-Tune that works better than yours at home. You can achieve the exact same results.

In modern music Auto-Tune is really used with two different intentions. The first is to use it as a tool in a transparent manner, to correct someone's pitch. In this situation, the artist doesn't want to hear the effect work, they just want to hit the right notes. The second intent is to use it as an audible effect for the robotic vocals you can now hear all over the pop and rap charts.

But regardless of the intent, in order for Auto-Tune to sound its best, there are three main things that need to be set correctly.

1. The correct key of the song. This is the most important part of the process and honestly where most people fail. Bedroom producers, and even some engineers at professional studios who might lack certain music theory fundamentals, have all fallen into the trap of setting Auto-Tune in the wrong key. If a song is in C major, it will not work in D major, E major, etc.—though it will work in C major's relative minor, A minor. No other key will work correctly. It helps to educate yourself a bit about music theory, and how to find the key of a song.

2. The input type. You have the option to choose from Bass Instrument, Instrument, Low Male, Alto/Tenor, and Soprano. Bass Instrument and Instrument are, of course, for instruments, so ignore them if you're going for a vocal effect. Low Male would be selected if the singer is singing in a very low octave (think Barry White). Alto/Tenor will be for the most common vocal ranges, and soprano is for very high-pitched vocalists. Setting the input type correctly helps Auto-Tune narrow down which octaves it will focus on—and you'll get a more accurate result.

3. Retune speed. This knob, while important, is really all dependent on the pitch of the input source, which I will discuss next. Generally speaking, the higher the knob, the faster it will tune each note. A lower speed will have the effect be a bit more relaxed, letting some natural vibrato through without affecting a vocalist's pitch as quickly. Some view it as a 'amount of Auto-Tune knob,' which isn't technically true. The amount of correction you hear is based off the original pitch, but you will hear more effects of the Auto-Tune the faster it's set.

So let's say you have all of these set correctly. You have the right key, you choose the right range for the singer, and the retune speed is at its medium default of 20ms. You apply it on the singer expecting it to come out just like the pros. And while their voice does seem to be somewhat corrected, it's still not quite corrected to the right pitch.

Here's why your Auto-Tune doesn't sound like the pros:

The pitch of the vocalist prior to Auto-Tune processing must be close enough to a note in the scale of the key of the song for Auto-Tune to work its best. In other words, the singer has to be at least near the right note for it to sound pleasing to the ears. Omnisphere 2.5 download vst.

Change Keyboard Settings

Whether you're going for a natural correction or the T-Pain warble, this point still stands. If the note the singer originally sings is nowhere near the correct note in the key, Auto-Tune will try to calculate as best it can and round up or down, depending on what note is closest. And that's when you get undesirable artifacts and hear notes you weren't expecting to hear. (Here is an example of how it sounds when the incoming pitch isn't close enough to the scale, resulting in an oddly corrected pitch.)

So if you put Auto-Tune on a voice and some areas sound good, some sound too robotic and a bit off, those are the areas that the singer needs to work on. Sometimes it can be difficult for non-singers to hear slight sharp or flat notes, or notes that aren't in the scale of the song, so Auto-Tune in many cases can actually help point out the problem areas.

This is why major artists who use Auto-Tune sound really good, because chances are they can sing pretty well before Auto-Tune is even applied. The Weeknd is a great example of this—he is obviously a very talented singer that has no problem hitting notes—and yet his go-to mixer, Illangelo, has said before that he always uses at least a little bit of Auto-Tune on the vocals.

If you or the singer in your studio is no Weeknd, you can correct the pitch manually beforehand with a program like Melodyne, or even with built-in pitch correction tools in your DAW, where you can actually go in and change the pitch of each syllable manually. So if you find yourself in a situation where you or an artist you are working with really want Auto-Tune on their vocals, but it's not sounding right after following all the steps, look into correcting the pitch before you run it through Auto-Tune.

Auto Tune 8 Change Keyboard Scale Online

If you get the notes closer to the scale, you'll find the tuning of Auto-Tune to be much more pleasing to the ears. For good reason, T-Pain is brought up a lot when discussing Auto-Tune. Do you want to know why he sounds so good? It's not a special Auto-Tune they are using, its because he can really sing without it. Check it out:

Change Keyboard Language Windows 10

Hopefully this helps further assist you in your understanding and use of Antares Auto-Tune, and debunk some of the myths around it. Spend some time learning some basic music theory to help train the ear to identity keys of songs, find which notes are flat and which notes are sharp. Once you do, you'll find you'll want to use Auto-Tune on every song, because let's face it—nearly a decade after Jay-Z declared the death of Auto-Tune on 'D.O.A.'—it still sounds cool.

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